Songs

Mr. Lif & L’Orange – “A Palace In The Sky”

blame it on Shake September 22, 2016
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After opening up last month with “Strange Technology,” Mr. Lif and L’Orange are back with the second offering from their forthcoming album, The Life & Death Of Scenery.

In a world where art has been banned, outlawed, and the consequence of going against that is death, “A Palace In The Sky” is the climatic conclusion to the album’s narrative, that finds Lif (‘the scribe’ of the story) witnessing his kingdom fall and his hubris finally realized in a deafening end.

Dive into it below and keep scrolling for more on The Life & Death Of Scenery — which arrives October 14th on Bandcamp, iTunes, CD and vinyl.

The latest EP from L’Orange & Mr. Lif, The Life and Death of Scenery, conceives a chimerical “lighthearted dystopia” just far enough from modernity to breathe easily, but close enough to make you consider relocating to that cave in the forest. In this collaboration with the eccentric North Carolina producer, L’Orange, Lif imagines an adjacent future called the “last society,” where culture has been obliterated and survival has taken precedence over art.

Released through a partnership between Adult Swim and Mello Music Group, the duo’s latest opus opens with one of four addresses from “The Narrator” (played by The Daily Show’s Wyatt Cenac). These Big Brother missives capture a world where the, “books are all burned, the vinyl has been melted, and the remaining art catapulted over the city walls.” The mere act of whistling is cause for the guillotine. It’s the rap analogue to Fahrenheit 451, 1984, or a Brave New World, where the Soma is uncomfortably soothing and the sunshine eerily abundant.

The former Def Jux legend inhabits on the role of The Scribe, frantically showing the post-apocalyptic survivors the power of what’s been lost. It attacks those who value disposable art over the timeless; it articulates the necessity of preserving culture; it lampoons the absurdity of attempting to destroy one of the most immutable qualities in mankind.

In L’Orange’s words, the collaboration is “a negotiation of influences without compromise.” You can hear the producer’s trademark alchemy of classic boom-rap with glitchy fuzz, a compressed whimsy that slaps against somber scythe-like piano lines, ominous spaghetti western licks, and celestial saxophone licks.

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